Monday, February 21, 2011

Monthly Counselings Examples Army

glosses What about Cuba?

Waldo Acebo Meireles
Sunday Amuchástegui Alvarez wrote an article for Encounter Cuba, What happens in Cuba? , which I think is worthy of serious analysis and full. Start Amuschástegui dicendonos that:
"Right now, right under our noses, Cuba is undergoing a full transformation. A new set of political, social and economic is taking shape. "
But the problem is that we, the rest of us, we have not noticed, wrapped in old arguments in which we waste energy and we need is "a renewed focus and a new understanding of the phenomenon ", ie we are not the Cuban lawlessness that needs a new approach.
doctoral then reminds us as the process in China 30 years ago was misunderstood, as well as the changes in Russia for 15 was also wrong and not the "cream" were his words, the North American Sovietology could predict events which occurred at the removal of Boris Yeltsin, were all wrong, hopefully Amuschástegui no mistake.
In these examples, which have nothing in common with the case of Cuba, goes directly to the errors identified by the WikiILeaks, when the predictions of the U.S. Interests Section in 2009, it predicted the collapse of the Cuban economy in 2011, according to him were wrong, according to the "general chairman" in the words of ineffable Eusebio Leal, Cuba was to end 2010 to the brink, not so much wrong, or is, there is much difference between being on the brink and that the country would have no resources to survive beyond 2011? I do not look very different.
then taken for good prediction of the WikiLeaks asserting that the Cuban economy is less vulnerable now than 20 years ago, that thing go!, Now that banks are unable to pay debts and make cash deposits in hard currency, now that was even necessary to reduce food imports, what a spirit of contradiction is the analyst. But sovereign majesty advises us to improve the accuracy.
We immediately release a numbing tirade:
"The most important change, paradoxically, is happening in the fields of politics, culture, ideas, and is characterized by an atmosphere of debate since 2007 alo has been growing throughout the nation. Promoted at the outset by intellectuals through their own communication resources, it was assumed then by the party, with hundreds of thousands of complaints, requests, comments and recommendations "
Cubanologists Admittedly, this is because it is a Cubanologists or not, has information that we have overlooked, or receives a source is not available from other analysts. Sadly we have to accept that what until now we knew was that a few years ago discussions were framed in the most stony silences and is now taking place to discuss the guidelines previously approved by Congress yet to conclude, follow the traditional method of restricting the views too dangerous or revealing.
How do you combine this most important changes are occurring in the field of politics? Certainly is a paradox because the Guidelines on 'discussion' not only addresses changes in the economic sphere, but obviously the analyst sees the paradox in reverse since the changes proposed, and already running in no point to changes politicians.
This assumes, moreover, that two or three statements, very careful indeed, some intellectuals and artists are those who have promoted the party take these recommendations and ideas. Never have occurred to me anything like "the birds pulling the shotgun, the bird has no involvement. Immediately
enlightens us with news that the bodies are open to opinions and criticisms, I suspect that refers to a letter published by Granma, ringing in the flats!, Amuchástegui forgive me, but that is not serious . It's not worth testing.
then converts under the necessity of using pirated software American TV, as if the TV is not always in Cuba had used pirated films in their programming, but more and pirated good now that exemplifies the opening, on the other hand if my erroneous information is not in cinemas only showed a film of denunciation of Stalinism, I mean "The Lives of Others ", not as translated into English, and this limited way.
The other argument that we 'demuetra'la opening is now the Cubans, who have Internet access can read all the messages of protest and Yoani bloggers, and this, somewhat dull, can not understand what is happening, when she actually elated to be able to see your blog, after three years of blockade, and reasoned, probably sum unknown reason but the reason for such release is most likely it was to present a better image with many foreign guests to the International Data, as she says: "Give an image of tolerance, called openings in the field of public expression."
But let Amuchástegui vision of economic change:
"In the economic field, drastic changes are occurring, will continue to expand. State farms have virtually disappeared and been replaced by private cooperatives, private farms and "farmers" (up to 70% of the country's undeveloped land have been distributed to these farmers) "
Again we must assume that This analyst has access to sources that are closed and that to say the least are in conflict with those available to us as if we may call dramatic changes to a fragile economy of artisans who peel fruit and wrapped buttons, then we have no clear concept of drastic, but better yet we predicts that these measures will continue to expand, or is likely to one hundred and seventy-odd occupations allowed to rise 'one hundred and eighty drásticamente'a much.
Who said the state farms are disappearing and have been replaced by private cooperatives, etc..? To then say something that comes in direct conflict with the regime's own statements regarding the delivery of land in usufruct which neither catch a glimpse of this 70%.
Then talk of loans and credits that are not where they came from because the Cuban government economists, analyzing the agrarian problem mentioned lack of credit as one of the limits to bring land into production, but apparently knows more than Amuschástegui them of the matter.
then whispers to us that there is room for greater private sector participation in the tourism industry, ie we assume that there are private participation in this key sector, we assume that refers to the 'tastes' in competition with restaurants estatales y por tanto si vamos a tener más ‘paladares’ pues entonces el sector privado tendrá más participación. Reconozcamos que tiene su lógica, aunque no se refiera a capitales cubanos, invirtiendo en ‘resorts’ o compartiendo con inversionistas extranjeros.
Y ahora viene una bomba
“Para 2015 alrededor de dos millones de personas y sus familias se habrán integrado al sector privado .”
Lo que sabíamos hasta ahora era que para el 2013 millón y medio cubanos quedarían desempleados, de pronto aparece medio millón más para el 2015, sin lugar a dudas el analista tiene fuentes de información a which we have no access, but do not worry it tells us then those two billion will be integrated into the private sector, we will see if the 500 thousand this year can be integrated into the elastic private sector, which prefers to call the misrule 'self employed' they know why.
But the thing is guaranteed by the capital accumulated by the 'self employed' farmers, remittances, and finally granted state loans, on the latter, I suggest you sit down to wait for the balance of payments is stable, the budget deficit is solved, generate financial resources and to eliminate the double currency, is going to long, if that happens sometime.
In the international arena also has information that the author did not know when we are said to have achieved new levels of dialogue and cooperation with the European Union, apparently was not aware that the common position remains in effect despite efforts English government to change.
After squarely into one big tradeoff:
"Some recent political developments have led to the current position of the Cuban authorities. The media impact cases that had Zapata Tamayo and Fariñas, which produced no significant reaction in Cuba itself, was soon eclipsed by efforts of the Government and eventually pass into oblivion. The scandal has added WikiLeaks disrepute and lack of credibility with internal opposition (the so-called dissidents) and its connections with the United States. The release of political prisoners and dialogue and cooperation with the Catholic Church, followed by the reforms have changed the priorities of the mainstream media "
tells us that the external impact cases Zapata Tamayo and Fariñas has been overshadowed by the efforts of the Government and it has favored the current stance of the Cuban authorities, what is concerned, the forthcoming trial of Gross, do not know, but should not be because of what he speaks of the release, it says deportation of political prisoners and the dialogue with the Church, it also tells us of Farina and Tamayo had no significant reaction internally, yet in his opinion the discrediting WikiLeak internal opposition yes, go for some things that the people of Cuba are full and some not, of course they learn from those who want to know it.
And finally, the analyst comes to an important conclusion: "is a transition and its origin is within the power structure of the island ..." and even further: "continuity of policy changes and reforms is now linked to every aspect of Cuban life.." other words, Cuba is producing a profound change and it depends on the permanence of gerontocratic elite currently in power. It is to scare to scare.
but not sufficient with the above is reaffirmed when we state that:
"Society is changing profoundly. [...] That the Cuban leadership and power structure will remain "frozen in time", is absolutely unthinkable and unacceptable. That's true leadership " force behind these changes, be adapted and adjusted, both domestically and internationally. In fact, it is already doing. "
conclusion: we must not oppose the leadership, on the contrary we support it because it is her that you can expect changes in our country. This new understanding of the phenomenon that he proposes Amuchástegui May God take us confessed!

Friday, February 18, 2011

World Wide Cruising Gay

Why journalism should use social networks? Explain

Taken

www.socialdente.com


During the Third Ibero-American Youth Seminar, Innovation and Knowledge Society made by Costa Rica, Esther Vargas, director of @ cdperiodismo and Digital Journalism Professor Isil, made an interesting presentation addressed primarily to journalists who are still reluctant to use social networks in their profession. Esther

this presentation entitled "8 Reasons to build social networks as a journalist, with some evidence as convincing as the following:

- 600 million users on Facebook.
- Each user spent an average of 15 hours and 33 minutes on Facebook in a month.
- 152 million blogs.
- 85 million users on LinkedIn.
- Foursquare has 6 and a half million users.
- 200 million users in Twitter.
- 61% of journalists use the Wikipedia.

Wednesday, February 16, 2011

Throat Ulcers And Heaache

Dies irae: an intriguing subject.

Waldo Acebo Meireles

intend to give an overview of the widespread use of this issue for over five centuries, authors generally refer poorly understood, particularly in the twentieth century examples can be heard in most cases are rarely interpreted, I have no intention of giving a list of over 80 composers who have used this theme since the fifteenth century, reflected the interest but let dozens of composers have shown over this issue.

the 'Dies irae', appears in the thirteenth century, is a Gregorian chant with a strong rhythm and a melody of great simplicity, its author is unknown, although some say that may be the Italian friar of the Franciscan order Thomas of Celano. The hymn Dies irae is best known as a sequence within the requiem mass of the Catholic Church. The hymn describes the day of reckoning where some will be saved and go to heaven and others will sink into hell. Undoubtedly a lot about creepy.

Let us hear the Dies Irae:


That the issue was extremely attractive to us is shown by the fact that from the fifteenth century began to be used by several composers, such as: Antonio Brumel [1460-1512] French composer used it in his Requiem Mass, Ludovico da Viadana [1560-1627] Italian, he included in his "Missa Solemnis Pro Difunctis', the famous French court composer Jean Baptiste Lully [1632-1687] turned to the subject in motet 'Dies irae 'and Marc-Antoine Charpentier [1643-1704] I include it in their' Prose des Morts'. This means that over four centuries echoed the theme in the vaults of churches and cathedrals, if not in its original form in the variants used by the composers mentioned.

In the nineteenth century begins with the famous use by Niccolo Paganini [1782-1840] arch-known Italian violinist who innovated in violin technique and made several pieces for that instrument, among which includes his 24 Caprices, op 1 compounds between 1805-09 in which the Caprice No. 24 consists of a theme, the Dies Irae, eleven variations and a final. It is considered one of the most difficult written works for solo violin. This work will have a major impact in the nineteenth century and especially in the twentieth. Let's hear

Caprice # 24


In 1830 the "Symphonie Fantastique" by Hector Berlioz [1803-1869] is released and the song 'Dies irae' appears three times in the work, particularly in its fifth movement 'Dream of a night sabaoth' in which topic is presented by the metals in its lowest register, accompanied by the campanologer.

Franz Liszt [1811-1886] used repeatedly the subject, making it the centerpiece of his symphonic poem "Totentanz" [Dance of Death] for piano and orchestra. Liszt had intended to be for the piano what Paganini for the violin, also liked to engage in an air of mystery something grim and gloomy, in that string wrote his' transcendental Studies on Caprices by Paganini. "

Let's hear an excerpt from the Study in A minor


Perhaps the work most solid basis of the Paganini Caprices are the 'Variations on a Theme of Paganini "Op 35 by Johannes Brahms [1833-1897], written between the years 1862-63 which is a consistent piano works great difficulty without the excesses of Liszt. The work is divided into two parts or books.

We hear fragments of the Book I


The Danish composer Asger Hamerik [1843-1923] uses the Dies Irae in his Requiem op34 made in 1887. With this work we can say that closes the nineteenth century the use of the subject at hand, the twentieth century will bring a proliferation of works based upon, or in any way used, the 'Dies Irae' and its expression in the Caprice Paganini.

Eugène Ysaÿe [1858-1931] the famous violinist of the early twentieth century wrote a collection of 6 Violin Sonatas Op 27, which includes the subject in the Sonata No 2 in the minor 'Obsession' We hear this sonata





treatment of the topic 'Dies irae' in the twentieth century will be in the works of Sergei Rachmaninov [1873-1943] born in Russia, a widely used, for example in the symphonic poem 'The Isle of the Dead', but best known work of Rachmaninov, it appears the issue is the 'Rhapsody on a Theme of Paganini "Op 43 for piano and orchestra [1934], this work has a theme and 24 variations being the best known of the numbers 11 to the 18 that are part of the composer's own strong romance, probably no pianist that does not include this work in his repertoire. Let us hear the variation

number 10 and number 18
mentioned

Ernest Bloch [1880-1959] Swiss-American in his Concerto for Violin [1938] includes the topic in the third movement. Finale. Allegro molto, it appears repeatedly in Ildebrando Pizzetti

metals [1880-1968] Italian widely used in his opera theme Murder in the Cathedral [1958]

The famous Polish pianist and composer Karol Szymanowski [1882-1937] uses the subject in his Paganini Caprices Piano

The principal cellist of the Berlin Philharmonic, the German Hans Bottermund [1892-1949] wrote a few variations on Niccolo Paganini Capricho 24, the only version I know is the cellist Janos
Stalker George
Thalben-Ball [1896-1987] Australia-born British organist and composer wrote the Variations On a Theme By Paganini: For Pedals [1962], which is interesting because it was written only for the use of organ pedals

hear fragments of this composition


The little known but very interesting composer Boris Blacher [1903-1975] wrote the orchestral Variations on a Theme of Paganini [1947] This book presents a solid structure and a complex orchestration, is the subject with 16 variations.

Let us hear the theme and variations first three


The cellist Gregor Piatigorsky [1903-1976] integrated with the Russian American pianist Arthur Rubinstein and violinist Jascha Heifetz what was called 'the million-dollar trio "composed some attractive Variation On a Theme of Paganini which consists of 14 variations and a dedicated marcia Tempo Vladimir Horovitz, each variation is dedicated to a friend: Pablo Casals, Erica Moroni, Joseph Szigeti, Yehudi Menuhin, Nathan Milstein, Jascha Heifetz, etc. select variation # 2 dedicated to Paul Hindemith. Let's hear




The excellent violinist, mentioned above, Nathan Milstein [1904-1992] Russian-American wrote a composition violin that uses the theme Paganiniana.

The Austrian composer Marcel Rubin [1905-1995] wrote 10 symphonies, the number four entitled "Dies Irae" and the theme appears in various stages of the work.

Ludvig Nielsen [1906-2001] Norwegian organist wrote for his instrument Veni Redemptor gentium et Dies irae - Variations op 52 in which the Dies Irae is used as a central theme.

Xavier Montsalvatge [1912-2002] Catalan Symphony composed Requiem - Dies irae, which is present the issue at hand.

The famous Polish composer Witold Lutoslawski [1913-1994] wrote a few variations on a theme by Paganini for two pianos [1941], this work was written for his own use Lutoslawski which gives an idea of \u200b\u200btheir ability virtuoso on the instrument, there is a less known for piano and orchestra [1978] of which we hear an excerpt: Let's hear




Josef Horovitz [1926] British born in Austria composed Variations on a Theme of Paganini for woodwind quartet.

Finnish composer Einojuhani Rautavaara [1928] considered the most notable composer Jean Sibelius Finland after he wrote in 1953 A Requiem In Our Time, Op.3 Dies Irae, for wind band Let's hear

metals


board to Then a group of American composers who have used the 'Dies irae' in his works. Let's start by Richard Purvis [1913-1994] wrote a Dies Irae for organ, his instrument. George Rochberg [1918-2005] wrote in 1970 his Caprice Variation consisting of 51 variations for violin solo, is a work of almost one hour in which our subject is developed from the Brahms Paganini Variations [Book I] in 9 to 13 variations of this work, ie they are a variation of a variation. Let's hear

variation # 10


George Crumb [1929] composer of 'avant garde' included the topic in 'Black Angels - Thirteen Images From The Dark Land V. Danse '[1970] for electric string quartet. Let's hear




William Harper [1949] among his works are ten operas. In his Requiem mix voices with electronic instruments.

Let's hear a fragment of the Kyrie - Dies irae


Del composer Wendy Mae Chambers [1953], who has written a number of works for percussion, the track included in the Mass' A Mass For 77 Trombones V. Dies Irae. " Let's hear an excerpt




postmodern composer Michael Daugherty [1954] is inspired by Superman comics create one of his most notable works Metropolis Symphony [1993], the fourth movement, Red Cape Tango is the Dies Irae theme. We hear fragments

fourth movement

The composer and violinist Ritsu Katsumata Brighamton was commissioned by the Orchestra to compose a Dies Irae, this work is the 2004 with which we enter the twenty-first century. Let's hear an excerpt




the defunct USSR In spite of its atheistic ideology using the Dies Irae of the Catholic Church also attended, see:

Kachaturian Aram [1903-1978] used it in his Symphony No. 2 [bell] in the third and fourth movement, Dmitri Kabalevsky [1904-1987] in the three movements of the Concerto for cello, Edison Denisov [1929-1996] in his Five Paganini Caprices, Valentin Bibik [1940] in a wide work: Dies Irae 39 variations for piano and Dimitri
Shostakovich [1906-1975] in his Aphorisms, Op.13 VII. Danse Macabre for piano. Let's hear

latter


Among American composers also had use Dies Irae: The Venezuelan Antonio Estevez Aponte [1916-1988] in his Cantata criolla [1954] Alberto Ginastera [1916-1983], the Argentine used in a shooting in the Violin Concerto and the Mexican Javier Montiel in his Variations on El Capricho No.24 De Paganini String Quartet. We hear fragments
latter


In the field of light music are two examples of interest are both British composers:

Philip Lane [1950] Diversions On A Theme Of Paganini VIII. Let's hear

Epilogue


And the famous musical composer Andrew Lloyd Webber [1948] Variations [1990] for orchestra, cello and rock band, from which a version for solo cello [2001] Let's hear

theme and variations 1-4 in the orchestral version


use in cinema has been a common theme in dozens Dies irae movie appears in one form or another, here are two examples

Ennio Morricone [1928] the well-known composer for film scores widely used in the film Escalation issue, a comedy with little success. Let's hear




The American composer Wendy Carlos [1939] wrote the score for Stanley Kubrick's film 'aclock Orange' [1971], but what interests us is that he wrote using electronic instrument for the excellent film terror 'The Shining' [1980]. Let's hear




jazz musicians have also been attracted by the Dies Irae, hear three examples:

The violinist Eddie South [1904-1962] in Paganini In Rhythm

pianist Dick Wellstood
Al [1927-1987] in Paganini's Thing [recorded live]


And German clarinetist Sabine Meyer [1959] on 24
Caprice

violinist-songwriter Kelly Hall-Tompkins wrote 10 variations each in a different jazz style 'Ethnic Variation On a Theme of Paganini'. Let us hear the V

Swing-blue


In popular music there are many examples, listen to some:

Group 'Spartak Bourangoulov' in Dies Irae


The group 'Venus Gang' in Dies Irae


Joe Stump, guitarist and composer Paganini's Revenge [excerpts]

And let the end the excellent group German 'Dectera Lugh' that includes elements of jazz, rock, pop, folk, metal, and uses medieval instruments

We hear of 'Dectera Lugh' Dies irae

Saturday, February 5, 2011

What Does Real Estate Due Diligence Mean




* In the image the team from El Mundo in the boardroom.


wording
When looking out, dreams of better things when he looks inside, awakes.
This Friday our team of reporters, editors and designers World logged in to make an issue with: Good design



Utility Impact Information Accuracy



agreed hedging strategies and hierarchies. Why not just publish what we went to look, but what can explain better than anyone.

team record section (Policing) opted for a cover that not only tell the death a man who died after an explosion in the tank of a pipe, but also with a brief explanation of the steps leading figure the accident.

The publisher decided to show readers a sequence of images of the accident. Record
exercise shows that a local news police can be a gamble to face their own content, nuance, focus and above all information, which forces you to have entry points and aggregated values.

others discover the hidden truths
Newspapers have to be able to rise to acts of corruption: what right a ruling paves the street saying it was a gift from a contractor, while others suffer from lack colonies paving?

reporter Cristina López discovered that the director of municipal works Fortin Veracruz is a lucky man: his street was chosen so that a builder make a sample paving.



The Mexican official said in a statement to the reporter that the work was a 'sample' of the construction work could be done in the municipality. Cristina
information is a sign that investigative journalism is an ally of the reader and their intelligence, a journalism able to discover the truths which others are intent on hiding.



Extra!
• Excellent story and photographs of Juliana Rincón on the death of a little under 2 years. His photos show status and social drama.